CRITICISM as an instinctive reaction to the performance of poetry is as old as song,” writes George Kennedy in beginning theCambridge History of Literary Criticism, and Kenneth Dover reminds readers of the Frogs that “in pre-literate cultures the composition of songs is a process in which discussion and criticism, often passionate, play an important part—and inevitably so, because aesthetic rea...

In his article "E-Literature, New Media Art, and E-Literary Criticism" Janez Strehovec explores the commonalities between electronic literature and new media art. Rather than deploying the traditional conceptual apparatus of e-literary criticism directed first and foremost to the new media elements of e-literature, Strehovec takes into account approaches from current theories in the social scie...

This article examines connections between the Protestant Reformation and American literature and argues that Protestantism’s best expression exists in contemporary iterations of self-reliance. The first part focuses on William Ellery Channing’s and Ralph Waldo Emerson’s literary criticism of John Milton, a poet who represents the Protestant ideals these writers combine with American principles ...

The vast diversity of the proposed definitions of parody, both before and after the twentieth century, can be an emblem of the lack of a thorough agreement amongst the literary critics about the definition of this literary technique (genre?!). While there is not a comprehensive all-accepted definition of parody, modern and postmodern literatures both exhibit a wide application of it. After look...

National Endowment for the Humanities and other donors. According to CSC director Werner Kelber, “Professor Handelman was selected as the fourth NEH Distinguished Visiting Scholar in recognition of her notable contribution to integrating Jewish religious thought into the modern humanities and to tracing plausible links between the Rabbinic interpretive tradition and several influential schools ...