In using new media as a means for providing access to cultural heritage collections, it is inevitable that museums, as content providers and facilitators, face the copyright challenge. This is especially so, since copyright, is not apparent in the Internet environment. Copyright can act as a barrier, limiting electronic access to museum content d u e to conditions placed on the use of certain m...

Recent advances in wireless network technologies create the potential to significantly enhance the experience of a visit to a museum. On the exhibit floor, visitors carrying wirelessly connected portable devices can be given opportunities for exploration, sharing, explanations, context, background, analytical tools, and suggestions for related experiences. When these devices are part of a Web-b...

the goal of this research is to study the policy of democratization of culture and is trying to find out whether democratization of museums leads to democratization of art or its only result is accumulation of artistic behaviors. deploying pierre bourdieu’s theory who believes that “the love of art” is the result of cultural capital and utilizing surveys with the method of quantity evaluation a...

Sociologists that study organizations often analyze the museum from a cultural perspective that emphasizes the norms of the museum industry and the larger society. We review this literature and suggest that sociologists should take into account the technical demands of museums. Drawing on insights from social studies of technology, we argue that museums are better understood as organizations th...

There is an increase in Augmented Reality (AR) adoption in the tourism sector and increasingly visitor attractions, museums and art galleries start to use AR for the enhancement of the visitor experience. However, smaller organisations often fear high investments without the proof of concept due to risks of failures. Therefore, the present study uses a small museum in Manchester to investigate ...

Museums that strive for excellence by continually clarifying their purpose and realigning all practices and resources to achieve that purpose are operating holistically within a cycle of intentionality. Working within a cycle of intentionality means that a museum, among many other activities, carefully writes intentions that reflect and describe the essence of the museum and its unique value an...

The article focuses on the development of research that illuminates not only the socioeconomic profiles of museum visitors and non-visitors but also their cultural habits, general entertainment interests, and their perceptions of art, science, and other topics addressed at these institutes. The more we know about a visitor's personal context, the more we can enhance his or her museum experience...

This research presents the findings of contextual interviews, visitor survey and behavioural study that were carried out in Indian museums. It originates from the hypothesis that the museum exhibits are unable to express their relevance, historical significance and related knowledge to satisfy the curiosity of visitors. Our objective is to identify the cognitive needs of museum visitors and the...

The Augmented Representation of Cultural Objects (ARCO) system provides software and interface tools to museum curators to develop virtual museum exhibitions, as well as a virtual environment for museum visitors over the World Wide Web or in informative kiosks. The main purpose of the system is to offer an enhanced educative and entertaining experience to virtual museum visitors. In order to as...