The visitor to a museum may start the visit with an identity that depends on various short-term and long-term personal characteristics of the visitor, the museum itself and the visit context. Falk [2009] posits that the visitor's identity would be one of the following: explorer, attraction-seeker, professional/hobbyist, recharger, or facilitator. Each one of the identities fits a different beha...

Documentation of art museum collections has been traditionally written by and for art historians. To make art museum collections broadly accessible, and to enable art museums to engage their communities, means of access need to reflect the perspectives of other groups and communities. Social Tagging (the collective assignment of keywords to resources) and its resulting Folksonomy (the assemblag...

Department of Biology, Black Hills State University, 1200 University Street, Spearfish, SD 57783-9053, USA Majorie Barrick Museum of Natural History, 4505 Maryland Parkway, University of Nevada, Las Vegas, NV 89154-4012, USA Department of Mammalogy and Ornithology, Natural History Museum, CP 6434, CH-1211 Geneva 6, Switzerland Natural History Museum and Biodiversity Research Center and Departme...

due to universal importance of tabriz carpet art and presence of specific indicators and motifs in tabriz carpet art and its potentials, existence of architectural site for representing this art as carpet art museum in tabriz is necessary. the site of this project is located adjacent to tabriz blue mosque near the museum historical site. it is essential to consider the historical elements and c...

In collaborative museum learning contexts, it is problematic that groups of museum visitors are not able able to touch, handle, and pass museum artefacts around during collaborative discussions. This can be due to the fragility of the artefacts themselves or due to the people discussing them being in different locations. Interacting with virtual representations of artefacts is a solution to the...

In this article, we define the basic concepts of museum work, museum value, and contextual information with the help of a case study and literature. We base the case study on the empirical material of a project that aimed to gather knowledge of the collections of the Finnish Data Processing Museum Association. This article opens up the concepts and analyzes them in the context of museum work an...

Art museums have always been educating institutions. The meaning of this concept has changed over timeand increasingly has come to includethe use of media both within the museum and beyond the museum walls. Interactbe media are forms of publication that can significantly enhance the museum experience by making an exhibttion more accessible both to those who visa the museum and to those who wish...

Interpreting the natural environment in the cultural context of a museum is common practice in the early 21st century. It was also quite common in the 19th century. This chapter considers some of the key discourses in natural history and science museums to reveal a rich legacy of engagement with the environment. It begins with a review of a contemporary film that portrays the wonders of the mus...

In the Museum of Pure Form, we explore a novel way of presenting art to visitors of a museum, allowing them to virtually touch artefacts in a virtual museum. In order to realise this the statues are first digitised with a scanner so that they can be placed in a virtual museum. The virtual museum is then displayed on a 3D stereo screen. The visitor uses a purpose-built two-contact-point haptic d...