Creative text generation projects of different sizes (in terms of lines of code and length of development time) are described. “Extra-small,” “small,” “medium,” and “large” projects are discussed as participating in the practice of creative computing differently. Different ways in which these projects have circulated and are being used in the community of practice are identified. While large-sc...

In his paper, "Underwater Women in Shakespeare Films," Charles Ross looks at the film tradition of representing the social oppression of women by scenes submersion, a trope that has its literary roots in the classics, the French Middle Ages, the Renaissance, and the novel. Ross argues that unlike classic directors such as Kurosawa, Kozintsev, and Polanski, modern filmmakers not only like to enh...

Conceptualisations of attachment to one's nation of origin reflecting a symbolic caregiver can be found cross-culturally in literature, art, and language. Despite its prevalence, the relationship with one's nation has not been investigated empirically in terms of an attachment theory framework. Two studies employed an attachment theory approach to investigate the construct validity of symbolic ...

We approach critically the assertion that a referendum ultimately defends “traditional family,” by examining articulation of anti-gender politics in Romanian parliamentary debates. contribute theoretically employing concept retrogressive mobilization plebiscitary circumstances. show Romania contours transgress both ideological left–right cleavage, and even party loyalty. demonstrate how work do...

14TH INTERNATIONAL SYMPOSIUM ON ELECTRONIC ART This paper is a part of the panel “Locating Cyberfeminism” that seeks to present a varied set of cyberfeminist theories and art practices by situating them within specifi c political, technological and cultural contexts. While presenting papers that address issues of cultural difference within cyberfeminist art and aesthetics, this panel also attem...