نتایج جستجو برای: persian painting

تعداد نتایج: 20484  

Journal: :CoRR 2007
Behrang Q. Zadeh Saeed Rahimi Behrooz Mahmoodi Bakhtiari

In this article, we have introduced the first parallel corpus of Persian with more than 10 other European languages. This article describes primary steps toward preparing a Basic Language Resources Kit (BLARK) for Persian. Up to now, we have proposed morphosyntactic specification of Persian based on EAGLE/MULTEXT guidelines and specific resources of MULTEXT-East. The article introduces Persian ...

2015
Mohammad Esmaeel Yahyatabar Yasser Baleghi Mohammad Reza Karami

In this paper, the specific trait of Persian signatures is applied to signature verification. Efficient features, which can discriminate among Persian signatures, are investigated in this approach. Persian signatures, in comparison with other languages signatures, have more curvature and end in a specific style. An experiment has been designed to determine the function indicating the most robus...

Journal: :CoRR 2017
Zahra Mousavi Heshaam Faili

This paper presents an automated supervised method for Persian wordnet construction. Using a Persian corpus and a bi-lingual dictionary, the initial links between Persian words and Princeton WordNet synsets have been generated. These links will be discriminated later as correct or incorrect by employing seven features in a trained classification system. The whole method is just a classification...

Journal: :هنرهای سنتی اسلامی 0
رویا رضاپورمقدم مهدی محمدزاده استادیار دانشگاه هنر اسلامی تبریز

the correspondence between the elements of a story and its illustration has been eminent in the history of persian painting, achieved by the painter in both explicit and implicit manners. in fact, the painter painted the harmonious illustration by utilizing the essence and dominant element of the story. to do so, the painter confined himself to the most influential scenes of the story to be dep...

2012

In this paper, a new proposed system for Persian printed numeral characters recognition with emphasis on representation and recognition stages is introduced. For the first time, in Persian optical character recognition, geometrical central moments as character image descriptor and fuzzy min-max neural network for Persian numeral character recognition has been used. Set of different experiments ...

2016
Mojgan Seraji Filip Ginter Joakim Nivre

The Persian Universal Dependency Treebank (Persian UD) is a recent effort of treebanking Persian with Universal Dependencies (UD), an ongoing project that designs unified and cross-linguistically valid grammatical representations including part-of-speech tags, morphological features, and dependency relations. The Persian UD is the converted version of the Uppsala Persian Dependency Treebank (UP...

2015
Mohammad H. Ebrahimzadeh Ali Birjandinejad Shiva Razi Mohsen Mardani-Kivi Amir Reza Kachooei

BACKGROUND Oxford shoulder score is a specific 12-item patient-reported tool for evaluation of patients with inflammatory and degenerative disorders of the shoulder. Since its introduction, it has been translated and culturally adapted in some Western and Eastern countries. The aim of this study was to translate the Oxford Shoulder Score (OSS) in Persian and to test its validity and reliability...

احمدی, حسین, حمزوی, یاسر, وطن‌دوست, رسول,

Murals are the main, media of human culture and civilization and the place and its long history in Iranian art is clear. There are specific forms of mural paintings in some Iranian architecture that are different from other usual wall paintings in materials, methods as well as implementation techniques. Unfortunately, these mural paintings are not studied certainly until now. Therefore, further...

2014
Mortaza Taheri-Ardali Hamed Rahmani Yi Xu

In a previous production experiment, post-focus compression (PFC) of F0 and intensity were found to be present in Persian. It was also shown that F0 and duration were the main correlates of prosodic focus in Persian. However, the perceptual relevance of PFC in Persian was not yet clear. The present paper reports the findings of an experiment on focus perception in Persian. Native speakers of Pe...

Journal: :هنرهای تجسمی 0
یعقوب آژند استاد دانشکده هنرهای تجسمی، پردیس هنرهای زیبا، دانشگاه تهران

according adhar bigdili, muhammad ali was son of abdal biq naqqashbashi (painter laureate)and grandson of aliquli biq jabadar, court painter of shah safi and shah abbas ii safawi. adhar bigdili credited muhammad ali with naqqashbashi of shah tahmasp ii safawi and nadir shah afshar. having learnt the art of painting from his father, muhamma ali in turn trained ali ashraf, who worked under patron...

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