Circus as Environment of Screen Action in Modern Directors’ Creative Work

the tragedy of modern man in arthur millers world

what miller wants is a theatre of heightened consciousness. he speaks of two passions in a man, the passion to "feel" and the passion "know". he belives that we can have more of the latter. he says: drama is akin to the other inventions of man in that it ought to help us know more and not merely to spend our feelings. the writing of the crucible shows us that he is trying to give more heightene...

Creative action in mind

Supporting Software Development as Collective Creative Knowledge Work

We view software development as a system of evolution consisting of the three elements: (1) artifacts, (2) individual developers, and (3) a community of developers. An individual’s determining what artifacts to contribute and how, with whom to communicate by asking or answering, and which role to play within the community affects the quality of software to be developed; how the developers relat...

The Contingencies of Creative Work in Television

This paper analyses research evidence about the creative environments in the UK television production sector. The industry is reviewed across a number of dimensions: the evolving sentiments and structures of collective creativity; the perception of the actual and the ideal creative environment for television production; the growing levels of uncertainty associated with freelance work; and the k...

On-Screen Note Pad for Creative Activities

We propose a system that enables users to write memos directly on a computer screen by hand. The system helps users save the screen images along with a user's handwritten strokes and in searching for them. We describe some of the important functions of the system and the effective retrieval keys for searching for saved images. We explain that the implementation of our prototype system consists ...