Free Indirect Affect in Cassavetes' Opening Night and Faces
نویسندگان
چکیده
منابع مشابه
[Faces affect recognition in schizophrenia].
Clinical observations and the results of many experimental researches indicate that individuals suffering from schizophrenia reveal difficulties in the recognition of emotional states experienced by other people; however the causes and the range of these problems have not been clearly described. Despite early research results confirming that difficulties in emotion recognition are related only ...
متن کاملtragic contradictions: a comparative study of characterization in eugene o’neill’s long day’s journey into night and mahmud dowlatabadi’s tangna
در طی چند دهه ی اخیر، مفهوم «تراژدی» و «قهرمان تراژدی» توجهی روزافرون را تقریباً در تمام حوزه های نقد ادبی به خود معطوف کرده است. برخی نظیر ارسطو، نیچه، و آرتور میلر به بازخوانی آن پرداخته و برخی دیگر نظیر سارتر، استریندبرگ، یوجین اُنیل، برتولت برشت، و آنتونین آرتود به افزودن ابعاد نوینی به این مبحث همت گماشته اند. آنچه قهرمان تراژدی مدرن را از مفهوم کلاسیک آن متمایز می کند نه لغزش تراژیک متداول ...
Free indirect discourse in newspaper reports
It has recently been noted (Onrust 1994) that two journalists at the Dutch daily newspaper NRC Handelsblad have introduced a new style of reporting on soccer and other ball games. Their articles present a mix of factual reporting of events, background information, interviews and commentary, employing a variety of literary techniques. Most notably, reactions and opinions are often reported in th...
متن کاملWhat faces reveal: impaired affect display in facial paralysis.
OBJECTIVES/HYPOTHESIS To evaluate affect display in patients with facial paralysis as compared with normal subjects. We hypothesized that patients with facial paralysis would have impaired affect display and be perceived as displaying a negative affect as compared with normal subjects. STUDY DESIGN Randomized controlled experiment. METHODS Forty naive observers viewed pictures of patients w...
متن کاملfree indirect discourse in hossein sanapour’s lips on a blade
this essay examines the practice of free indirect discourse (fid), as a narrative-stylistic device, in hossein sanapour’s lips on a blade (2010). after a brief overview of the novel ’s narrative structure, the four modes of representing characters’ discourses in narrative fiction are introduced and exemplified. among these modes, fid is the most important since it is the only one which leads to...
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ژورنال
عنوان ژورنال: Camera Obscura: Feminism, Culture, and Media Studies
سال: 2004
ISSN: 0270-5346,1529-1510
DOI: 10.1215/02705346-19-2_56-105