Mike Roberts, How Art Made Pop And Pop Became Art

A Comparative S‌tudy on Pop, Elite and Folk Art

Pop Art is the representative of a cultural identity that has been represented as a kind of art in the mid-twentieth century. It is based on the ordinary manifes‌tations of people’s lives, and by concentrating on media and propaganda it has become pervasive in a short time as if it is a newly emerged culture that has appeared not from the inside of community but from outside and by those sociol...

Evolving Pop Art Using Scalable Vector Graphics

In this paper we present our findings of our continued investigation into the use of Scalable Vector Graphics as a genotype representation in evolutionary art. In previous work we investigated the feasibility of SVG as a genetic representation for evolutionary art, and found that the representation was very flexible, but that the potential visual output was somewhat limited by the simplicity of...

Pop Art and the Origins of Post-Modernism

Tracey Emin: Life Made Art, Art Made from Life

Tracey Emin is one of the bestknown current British artists. Her art is essentially autobiographical. The major aim of the present essay is to analyze Emin’s artist work and to study her artistic references. To fulfill this goal, biographic references, linked to her artistic work, are mentioned and her topics, obsessions, procedures, and techniques are reviewed, with a special mention to the ce...

Pop-Refinement

Pop-refinement is an approach to stepwise refinement, carried out inside an interactive theorem prover by constructing a monotonically decreasing sequence of predicates over deeply embedded target programs. The sequence starts with a predicate that characterizes the possible implementations, and ends with a predicate that characterizes a unique program in explicit syntactic form. Compared to ex...