Positive fEMG Patterns with Ambiguity in Paintings
نویسندگان
چکیده
منابع مشابه
Positive fEMG Patterns with Ambiguity in Paintings
Whereas ambiguity in everyday life is often negatively evaluated, it is considered key in art appreciation. In a facial EMG study, we tested whether the positive role of visual ambiguity in paintings is reflected in a continuous affective evaluation on a subtle level. We presented ambiguous (disfluent) and non-ambiguous (fluent) versions of Magritte paintings and found that M. Zygomaticus major...
متن کاملAnalyzing Fracture Patterns in TheranWall Paintings
In this paper, we analyze the fracture patterns observed in wall paintings excavated from Akrotiri, a Bronze-age Aegean city destroyed by earthquakes preceding a volcanic eruption on Thera (modern Santorini) around 1630 BC. We use interactive programs to trace detailed fragment boundaries in images of manually reconstructed wall paintings. Then, we use geometric analysis algorithms to study the...
متن کاملconstruction of vector fields with positive lyapunov exponents
in this thesis our aim is to construct vector field in r3 for which the corresponding one-dimensional maps have certain discontinuities. two kinds of vector fields are considered, the first the lorenz vector field, and the second originally introced here. the latter have chaotic behavior and motivate a class of one-parameter families of maps which have positive lyapunov exponents for an open in...
15 صفحه اولanalyzing patterns of classroom interaction in efl classrooms in iran
با به کار گیری روش گفتما ن شنا سی در تحقیق حا ضر گفتا ر میا ن آموزگا را ن و زبا ن آموزا ن در کلا سهای زبا ن انگلیسی در ایرا ن مورد بررسی قرار گرفت. ا هداف تحقیق عبا رت بودند از: الف) شنا سا ئی سا ختارهای ارتبا ط گفتا ری میا ن معلمین و زبا ن آموزا ن ب) بررسی تا ثیر نقش جنسیت دبیرا ن و زبا ن آموزان بر سا ختا رهای ارتبا ط گفتا ری میا ن آنها پ) مشخص کردن اینکه آ یا آموزگاران غا لب بر این ارتبا ط گف...
FINBARR B. FLOOD Animal, Vegetal, and Mineral: Ambiguity and Efficacy in the Nishapur Wall Paintings
A series of enigmatic ninthor tenth-century wall paintings from Nishapur in eastern Iran seems to have been imbued with amuletic, apotropaic, or talismanic properties. Recapitulating while exaggerating some of the properties of marble, the paintings also include anthropomorphic and vegetal imagery. Their idiosyncratic iconography seems to highlight a tension between physis and technē that may b...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: Frontiers in Psychology
سال: 2017
ISSN: 1664-1078
DOI: 10.3389/fpsyg.2017.00785