Re-centering the Cinema Experience in a Multi-Platform, Digital Age

mesuring the staff technology readiness, the case of a multi national chemical company operating in iran

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The Emergence of a Digital Cinema

Paradigmatic change is driving aesthetic change in cinema. This restructuring is not only transforming what is on the screen, but the means of production that put it there. The interplay of technology and culture, along with their dynamics has made this so. Marshall McLuhan’s Laws of Media provide an effective lens with which to examine this change. Some preliminary observations on the shape of...

The Evolving Digital Workflow in Cinema

This paper was presented at the CIC11 conference, Scottsdale, AZ, November 3, 2003 Abstract Full-length feature films for the cinema have been produced by photochemical methods for over 100 years, based on a three-step workflow: original photography, post-production, and release printing. In the last decades of the 20 century digital methods were first introduced for limited specialeffects task...

Accelerated Culture: Exploring Time and Space in Cinema, Television and New Media in the Digital Age

Accelerated Culture: Exploring Time and Space in Cinema, Television and New Media in the Digital Age by Thomas J. Connelly This dissertation seeks to understand the impact of speed on the interrelation and the overlapping of the production and consumption of cinematic and televisual texts. It explores the immediacy of digital media and new economic processes, and how they are informing structur...

Digital Cinema Technologies from the Archive’s Perspective