massMobile -an Audience Participation Framework
نویسندگان
چکیده
منابع مشابه
Investigation of Audience Interaction Tools from the Perspective of Activity Theory
Maintaining engagement of large audiences is not easy. Traditionally, lectures and presentations have relied on one-way mmunication from the presenter to the listening audience. Without receiving ongoing feedback, speakers cannot be sure that their delivery is at an appropriate pace, or that their message is being received and understood by their audience. This study suggests using a real-time ...
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This research overviews and iterates on a Spectrum of Audience Interactivity, a tool to help designers and artists consider the dimensions and range of audience interactivity characteristics. Previous research has introduced a spectrum of audience participation in live performances based on children’s codesign sessions. We expand on these findings with a review of literature in theater, games, ...
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This paper presents an enhanced sonic data communication method using TAPIR (Theoretically Audible, but Practically Inaudible Range: frequencies above 18kHz) sound and a software toolkit as its implementation. Using inaudible sound as a data medium, a digital data network among the audience and performer can be easily built with microphones and speakers, without requiring any additional hardwar...
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In this paper we discuss a setup for technology-mediated audience participation using smartphones and high-frequency sound IDs. Drawing from the insights of a research project on audience participation in live music we describe a setup for playful music interaction composed of smartphones. In this setup the audience needs to install a smartphone app. Using high-frequency sound IDs music samples...
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In today’s Age of Participation, co-creation, user-generated content and social networking have become part of a mass-appeal digital lifestyle. This paper discusses potential implications for contemporary and future media art in the context of the stage. It reflects on why and how interactive performances could give consideration to this Zeitgeist of empowered spectatorship and, moreover, propo...
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تاریخ انتشار 2012