Whence Intensity ? : Deleuze and the Revival of a Concept
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منابع مشابه
Ontology of Time in Cinema A Deleuzian reading of Still Life and Prince Ehtejab With an emphasis on the concept of Time-Image
Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...
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Art in Deleuze’s ideas is a block of percepts and affects that is made in order to make audiences free from clichés. Performanceart works’ approach to social matters are to disarrange clichés, too. The aim of this paper is to analyze “Time” as an essential component in performance-art works to answer to this question: What potential is in artists’ approach to this component for expressing socia...
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This paper studies the role of the semiotic discussions of Charles Sanders Peirce, the American philosopher and mathematician, in the formation of Deleuze’s first leading book on cinema, Cinema 1: the Movement-Image,in whichthe author surpasses Peirce’s semiotics. We will show how Deleuze creates a new form of signs in his second leading book on cinema, Cinema 2: the Time-Image. Deleuze had tri...
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A knowledge of rainfall distribution over a finite area is needed for small bydraulic structures design. Hydrologists have always been concerned about Depth- Area- Duration (DAD) for a specific storm in a watershed. An intense storm occurred on June 6, 1992 which claimed some lives in parts of Mashhad, Khorasan Province, Iran. Data of rainfall depth at 29 raingauge stations around the city and ...
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تاریخ انتشار 2014