Society for Music Perception and Cognition
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چکیده
Numbering Key .............................................................................................................................23 Sunday Talk Abstracts .................................................................................................................................24 Monday Talk Abstracts ................................................................................................................................41 Tuesday Talk Abstracts ................................................................................................................................62 Wednesday Talk Abstracts .........................................................................................................................89 Sunday Poster Abstracts .............................................................................................................................100 Monday Poster Abstracts ...........................................................................................................................116 Tuesday Poster Abstracts ...........................................................................................................................133 Index................................................................................................................................................................148 Map .................................................................................................................................................................156
منابع مشابه
Toussaint Proof
1 This is an extended version of a paper that appeared in the Proceedings of the 12th International Conference on Music Perception and Cognition (ICMPC), and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), in Thessaloniki, Greece, on July 2328, 2012, pp. 1001–1008, under the title: “The pairwise variability index as a tool in musical rhythm analysis.”
متن کاملPerception of Rhythmic Similarity in Reich’s Clapping Music: Factors and Models
Background An essential aspect of music is that it unfolds over time. Thus, understanding the perception and processing of the temporal organization of musical events (rhythm and metre) is critical to understanding music cognition and perception. The perception of similarity has been used as a measure of the underlying processing of categories of stimuli. There are various approaches and theori...
متن کاملComputational Models of Music Perception and Cognition II: Domain-Specific Music Processing (Preprint)
In Part I, we addressed the study of cognitive processes that underlie auditory perception of music, and their neural correlates. The aim of the present paper is to summarize empirical findings from music cognition research that are relevant to three prominent music theoretic domains: rhythm, melody, and tonality. Attention is paid to how cognitive processes like category formation, stimulus gr...
متن کاملEmotional Perception of Music in Children with Unilateral Cochlear Implants
Introduction: Cochlear implantation (CI) improves language skills among children with hearing loss. However, children with CIs still fall short of fulfilling some other needs, including musical perception. This is often attributed to the biological, technological, and acoustic limitations of CIs. Emotions play a key role in the understanding and enjoyment of music. The present study aimed to in...
متن کاملWithout it no music: cognition, biology and evolution of musicality.
Musicality can be defined as a natural, spontaneously developing trait based on and constrained by biology and cognition. Music, by contrast, can be defined as a social and cultural construct based on that very musicality. One critical challenge is to delineate the constituent elements of musicality. What biological and cognitive mechanisms are essential for perceiving, appreciating and making ...
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تاریخ انتشار 2015