(NLR 146), Fredric Jameson argues that pastiche, rather than parody, is the appropriate mode of postmodernist culture. ‘Pastiche’, he writes, ‘is, like parody, the imitation of a peculiar mask, speech in a dead language; but it is a neutral practice of such mimicry, without any of parody’s ulterior motives, amputated of the satiric impulse, devoid of laughter and of any conviction that alongsid...

islamic feminism has been articulated through recent decades as an alternative to traditional islamic thinking on women’s issues. scholars who are identified as islamic feminists use different methodological approaches like hermeneutics, historical criticism, and woman perspective in their works on various subjects of study. these scholars who have different cultural and philosophical backgroun...

In May 1969, Charles Harrison reviewed Morris Louis’ exhibition at the Waddington Galleries in London. Months later, he helped to install When Attitudes Become Form Institute of Contemporary Arts. also wrote catalogue text, published Studio International. Those two texts marked a significant point Harrison’s career. They were indicative his disillusionment with modernist criticism, and burgeoni...

Pericles Lewis, Associate Professor of English and Comparative Literature at Yale University, is the author of Modernism, Nationalism, and the Novel (Cambridge University Press, 2000). He is currently working on two projects, The Cambridge Introduction to Modernism and a book on religious experience in the modernist novel, from which the essay in this issue is drawn. Churchgoing in the Modern N...