in cinema, the relationship between art and society is questioned more than other kinds of art. among all diverse approaches studying cinema, the reflection approach- believing cinema is impressed by the society. this approach is a theoretical framework of this research. the main question is how cinema reflected political demands of iranian society from 1995 to 2006. this period is noticeable c...

urban design, being concerned with the quality of built environment, requires close interaction with other disciplines such as urban planning, environmental design and architecture as well as sociology, psychology, and economics. this is necessary in order to appropriately recognize and analyze different dimensions of existing problems and provide solutions to them and to improve the quality of...

This paper describes a creative industries research project that has applied quantitative approaches commonly used in scientific research to the study of international cinema performance. Using film screening data collected over a two year period, this paper discusses analysis of a global dataset using Appadurai’s “-scapes” framework. We have identified several of these “-scapes” that help us i...

On the price of complexity, the new video compression standard H.264 is more effective than MPEG-4 in compression. Aimed at the motion estimation problem in search rate, a directional search pattern and an improved cross diamond search algorithm which adopts many technologies including prediction of initial search point, suitable search pattern choosing and auxiliary search points are proposed ...

in a recent issue of the asia pacific journal of medical toxicology (apjmt), the importance of empowering medical toxicology in the asia pacific region has been discussed. in the editorial by dr. afshari, it has been stated that national societies of medical toxicology are important infrastructure for the development of medical toxicology, and the asia pacific association of medical toxicology ...

Looking over the history of cinema from the vantage point of the early twenty-first century, recent research has increasingly highlighted the similarities between the sense of possibility characterizing cinema’s early decades and our own digital era, in which the proliferation of interactive media and variable screen formats has loosened the once dominant paradigm of the passive spectator immob...