نتایج جستجو برای: noir cinema characteristics

تعداد نتایج: 668170  

Journal: :CEM: Cultura, Espaço & Memória 2022

La Passion de Jeanne d’Arc (1928), directed by C. T. Dreyer, marks a breakthrough with cinema depictions of religious subjects.Settingaside conventional narratives, closed and declamatory, concentrating on the interaction between semi-isolated images, appealing to multiples senses, film transfers observer task animating conferring global meaning them. Though, in twilight silent cinema, Dreyer’s...

2008
Gregory D. Booth

The commercial Hindi cinema has been subjected to domestic and foreign criticism for its exceptionally formulaic and stereotypical feature productions. These productions, however, have their sources in the oral and written epics and the popular dramatic genres of traditional Indian culture. Content borrowed from the Ramayana, the Mahabharata, and other pan-Indian tales frequently enlarges and r...

2015
Nicolas Bertrand Jean-Denis Durou Vincent Charvillat Carsten Griwodz

Cinema industry has chosen Digital Cinema Package (DCP) as encoding format for the distribution of digital films. DCP uses JPEG2000 for video compression. An efficient implementation of coding and decoding for this format is complex, however. Currently deployed equipment is expensive and has high maintenance costs, preventing art-house cinema theaters from acquiring it. Therefore, we conduct th...

2000

An effort is underway to enable digital cinema distribution with new products and new standards covering a wide range of technology. Exhibitors, studios, equipment manufacturers, and others involved in this effort require a universal, long-term digital cinema standard. Complicating the drive toward a single standard, however, are two issues: 1) not all players have the same priorities in specif...

Journal: :Online Journal of Communication and Media Technologies 2015

Journal: :Italian Studies in Southern Africa/Studi d’Italianistica nell’Africa Australe 2010

2018
Polina Zioga Frank Pollick Minhua Ma Paul Chapman Kristian Stefanov

Citation: Zioga P, Pollick F, Ma M, Chapman P and Stefanov K (2018) “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction. Front. Neurosci. 12:191. doi: 10.3389/fnins.2018.00191 “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and ...

2015
Abdorreza Naser Moghadasi

Cinema is a multidimensional art capable of affecting our neurophysiologic structure in different ways. Studies show that different parts of the brain are activated while watching a structured film and consequently, the movie imitates consciousness structure. This imitation of the consciousness structure enables cinema to deeply influence the brain. The effect and its manner are the main themes...

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