tech-noir cinema emerged as the combination of noir film and science-fiction genre in 1980s. noir film, which was one of the main currents of american cinema in 1940s, was influenced by detective fiction of american literature and expressionist cinema of germany in plot and form respectively. in 1970s and 1980s, because of artistic and social currents, there was a ground to return to noir; so n...

The purpose of the article is to study art techniques and means expression neo-noir post-noir in cinematography late XX — early XXI centuries. subject analysis are noir phenomena latest postmodern processes cinema, based on aesthetic, genre style canon noir. Noir language could not remain within narrow limits aesthetics “black” cinema. That why they became a space transformations: stylistic, ge...

The issue of “genre memory” in the noir film language is one most relevant problems modern study “black” cinema evolution. In spite fact that recent years, has significantly expanded its traditional artistic “cover”, features and ways transformation priority vectors research. context audiovisual transformations early 21st century, represented by at least two genre constructions (post-noir neo-n...

The concept of genre has had a significant place in cinema studies since the 1970s. Genre films are commercial feature telling identical stories with similar characters. Definition and debate genus genres tended to focus on mainstream, general Hollywood particular. In this study, it is aimed make generic evaluation movie Cape Fear directed by John Lee Thompson 1962. was selected teleological sa...

The Spanish black cinema: from the noir to present police one. It proposes a trip background of cinema - 1940s present. play, broken into 6 chapters actually 8, although last two are considered annexes with encyclopedic functions goes chronologically through evolution gender, making notes about his most relevant feature films and directors. author guides us comments personal opinions, that base...