the books written on the world strange items and categories ,may be called as a literary genre, too. they also originate from the people's beliefs, traditions, customs, and culture of a specific region. some of these strange items and categories have been turned into various tales of mysteries. the experts of other fields, such as geography, history, etc. have used them as well. azari toos...

The relevance of the article is to consider a new perspective genre transformation in Ukrainian oratorio 21st century, studied aspect relationship between poetic text and music. work Yevhen Stankovуch seems be pinnacle evolution passions, during which textual interpolations changed creatively renewed canon. Despite significant cultural social resonance Taras Passion, its creative discoveries ha...

The article considers the notion of prose poeticalness from linguistic and translation points view. Prose can be defined as introduction poetic features into text with help such devices extended metaphors, intertextual allusions, stylistic convergence, syntactical phonetic repetitions. investigation involved analysis fairy tales by Oscar Wilde, short stories Kate Chopin Dylan Thomas, which are ...

this paper represents an attempt to explore mikhail bakhtin's ideas in the process of interpretation of some selected farsi poems by a few contemporary iranian poets. in so doing, the paper first seeks to cast a rapid glance at bakhtin's era, which shaped his literary philosophical views then it continues with a brief discussion of some of the characteristic features of his ideology, ...

the two symbols of abel and cain are of the important elements in badr shākir al-sayyāb’s poetry; so their traces could be explicitly perceived in his various poems. to be considered that the structure of each poem is formed by its components, cain and abel have prominent functions in the structure of poems these two poetical devices have been used in. on the one hand, the functions of these tw...

This paper is based on the general (yet disputable) assumption that the theoretical debate of literature in digital networks has shifted, just as the poetic practices it is shaped after, from perceiving computer data as an extension and transgression of textuality (as manifest in such notions as “hypertext”, “hyperfiction”, “hyper-/ multimedia”) towards paying attention to the very codedness – ...