Glitches—unexpected coding errors—are often discarded as they are considered as design failures. This is surprising as they relentlessly flourish on the web, due the interest their aesthetic triggers. In this paper, we report a preliminary work that aims at understanding glitches in the context of information visualization. We first conducted an empirical study by collecting glitches examples o...

BACKGROUND The use of botulinum toxin has rapidly expanded into various aesthetic applications. Any guideline representing a consensus for aesthetic treatments using botulinum toxin type A (BTA) in Asians has not been published. OBJECTIVES To provide consensus recommendations on common aesthetic problems which are treated by neurotoxin in Asians. METHODS A panel of experienced Korean dermat...

Introduction: The acquisition of speech and language constitutes a dynamic part of two-year-old children’s growth. Expressive lexicon is a key indicator of language ability in these children. Premature birth, birth before gestational week 37, is one of the most common risk factors associated with learning skill development. A review of literature suggests inconsistent results on the...

Complex Event Processing (CEP) deals with matching a stream of events with the query patterns to extract complex matches. These matches incrementally emerge over time while the partial matches accumulate in the memory. The number of partial matches for expressive CEP queries can be polynomial or exponential to the number of events within a time window. Hence, traditional strategies result in an...

Conditionals somehow express conditional beliefs. However, conditional belief is a bi-propositional attitude that is generally not truth-evaluable, in contrast to unconditional belief. Therefore, this article opts for an expressivistic semantics for conditionals, grounds this semantics in the arguably most adequate account of conditional belief, that is, ranking theory, and dismisses probabilit...

In an interdisciplinary research project carried out by a violinist and a psychophysiologist which is based on a videotape of a performance by the violinist, David Oistrakh, we draw attention to certain postural attitudes and movements which appear in sequences of his rendition of the Brandenburg Concerto N. 4 by Bach and the Concerto for Violin in D Major by Mozart. These postural attitudes an...

Time and space are at the core of our aesthetic experiences of dance performances, yet dance has been frequently categorised as a space-based art. In this paper I revise the choreological perspective developed by Preston-Dunlop and Sánchez-Colberg that conceives dance as an embodied performative art articulated in a multistranded medium (performer, movement, sound, space). I argue that time sho...

Time and space are at the core of our aesthetic experiences of dance performances, yet dance has been frequently categorised as a space-based art. In this paper I revise the choreological perspective developed by Preston-Dunlop and Sánchez-Colberg that conceives dance as an embodied performative art articulated in a multistranded medium (performer, movement, sound, space). I argue that time sho...