After a survey on one hundred and thirty samples of Kurmanji Kilims and extraction of their natural motifs, this study is trying to propose a typology of this motifs and characterize their methods of composition. The data reviewed in this article, have been gathered in a field and documentary research. The patterns of the Kurmanji Kilim can be categorized into four groups: 1. Natural motifs, 2....

Introduction: The plaster altars of Ilkhanid period, as one of the most glorious decorative representations of architecture of this period, are a unique collection of motifs and different inscriptions that has a great diversity in construction dimensions and forms. These reliefs that are included in almost all parts of plaster altars, including frontal, margins, columns, capitals, arches, etc. ...

The geometric decorations are among the most widely used decorations in Islamic art, which have been used alone and sometimes in combination with other motifs or inscriptions. The plaster Mihrabs related to 6th to the mid-8th century AH, coincided with the Seljuk and IL-Khanid eras, are among the works that in addition to various plant decorations and inscriptions, are decorated with various ge...

The geometric ornaments are considered as a kind of decorating that has been used mostly in the Islamic art, alone and sometimes in conjunction with other motifs or inscriptions. The plaster altars made between 12th and the mid-14th centuries towards the Seljuk and Ilkhanid dynasties, are also considered as the works that have been decorated using various plant decorations and inscriptions, as ...

Flower pot is one of the frequently used motifs in Qajar period. This decoration is abundantly found in carvings and tiling decoration of the mosque-schools in Qajar period. There is also the flower pot in previous eras schools such as Safavid period schools , but the flower pots used in Safavid period schools differ from the flower pots used in the Qajar period mosque- schools. However, this s...

A work of art is the souvenir of the artist's journey through the immaterial world of realities and intuition. The language of this art is a language of secrets. This enables the artist to establish a link between the innermost and outermost essence of existence. Decorative motifs are the intersection of art and mystical thought. Many Islamic concepts are mixed with geometry and because of this...

Iranian artists and craftsmen have been interested in decorations for a long time. Geometric, animal and plant motifs and sometimes a line in various combinations adorned all or part of their handmade works. The art of carpet weaving hasn't been excluded. Carpet designers have created beautiful and sometimes unique designs by the influence of religion, politics, culture and other common arts du...

Japan and Guilan being located in similar climates have experienced same architectural and artistic characteristics such as Kumiko art and gereh-chini. Due to the fact that so far no research has been conducted on the similarities and differences between Kumiko and gereh-chini, the present research will try to investigate the components forming the two arts. With the aid of comparative studies,...