نتایج جستجو برای: noir cinema characteristics

تعداد نتایج: 668170  

Journal: :Bioscience, biotechnology, and biochemistry 2006
Hiroshi Yakushiji Shozo Kobayashi Nami Goto-Yamamoto Soek Tae Jeong Tamotsu Sueta Nobuhito Mitani Akifumi Azuma

A white-wine grape, Pinot Blanc, is thought to be a white-skinned mutant of a red-wine grape, Pinot Noir. Pinot Noir was heterozygous for VvmybA1. One allele was the non-functional VvmybA1a, and the other was the functional VvmybA1c. In Pinot Blanc, however, only VvmybA1a was observed, and the amount of VvmybA1 DNA in Pinot Blanc was half that in Pinot Noir. These findings suggest that deletion...

Journal: :Studies in Eastern European Cinema 2021

Velimir Bata Živojinović boasts a body of work which traverses 350 motion pictures from Classical Yugoslav Cinema over The New Film to Contemporary Serbian Cinema, historical epic film noir, family comedy radical avant-garde. A legendary actor and one the most significant personalities cinema, he is best remembered as archetypal hero Partisan film. This research examines ways in Živojinović’s p...

Journal: :هنرهای نمایش و موسیقی 0
کیانوش جهاندیده دانشجوی کارشناسی ارشد سینما، دانشکدةسینما - تئاتر، دانشگاه هنر تهران حمید دهقانپور استادیار دانشگاه هنر، دانشکدةسینما – تئاتر،

in a fictional movie, shadow is not only a technical and thematic concept, but also one of the most illustrative and expressing aesthetic elements of the movie. shadows vast dimensions have led to various discussions and studies along the history of cinema. the main theory of this essay is that a shadow is a comprehensible phenomenon whose interpretation and understanding are greatly essential ...

Journal: :Revista lusófona de estudos culturais 2023

No encontro de Jean Rouch com Manoel Oliveira, este situou-o e situou o seu cinema como mais africano que europeu Jocelyne identificou-o título do filme Moi, un Noir (Eu, um Negro; Rouch, 1958) — é ele. também engenheiro pontes estradas. Não admira, pois, a poética ferro aço esteja presente no cinema, ao lado Oliveira. As os caminhos são entre pessoas, culturas, sociedades. É, notável relação r...

Journal: :Revista Interamericana de Comunicação Midiática 2023

O propósito deste estudo é apresentar alguns dos principais elementos do cinema expressionista alemão recuperados pelo noir, analisando de que maneira são trabalhados no filme italiano Processo Alla Città (1952), Luigi Zampa. Portanto, busca-se resgatar um pouco da história e gênero cinematográfico bem como produção analisada. Os teóricos utilizados neste trabalho Arruda, Augusti, Frezza, Nappi...

2018
Shinichi Enoki Yu Hamaguchi Shunji Suzuki Hiroyuki Fujisawa Tomoki Hattori Kayo Arita Chiho Yamaguchi Masachika Mikami Shu Nagasaka Keisuke Tanaka

Koshu is indigenous to Japan and considered the most important wine grape in Japan. Koshu grape berry possesses characteristics that make it unique from European V. vinifera as wine grape. However, the physiological characteristics of Koshu leaf and internode remain unknown. An understanding of those characteristics would contribute to improvements in Koshu cultivation, thereby enhancing grape ...

2011
Mary Beth Oliver Tilo Hartmann

This article extends current theorizing in media psychology on audience responses to cinema by examining individuals’ perceptions of meaningfulness. Specifically, it presents the results of a study designed to expand upon research on psychological and subjective well-being to experiences and memories of films that are perceived as particularly meaningful by viewers. Characteristics and themes o...

Journal: :هنرهای نمایش و موسیقی 0
محمد باقر قهرمانی دانشیار دانشکده هنرهای نمایشی و موسیقی، پردیس هنرهای زیبا، دانشگاه تهران، تهران، ایران. مرضیه پیراوی ونک استادیار دانشکده هنرها و ادیان، دانشگاه هنر اصفهان، اصفهان، ایران. حامد مظاهریان استادیار دانشکده معماری، پردیس هنرهای زیبا، دانشگاه تهران، تهران، ایران. علیرضا صیاد دانشجوی دکتری پژوهش هنر، دانشگاه هنر اصفهان، اصفهان، ایران.

film theoreticians such as tom gunning, miriam hansen, anne friedberg, leo charney, james donald and giuliana bruno emphasize on the simultaneity of the invention of the cinema and the formation of modern cities in the world. cinema, in effect, seems to have grown up in the context of modern cities. film’s evolution, stirring away from theatrical static space and the single boundary of primitiv...

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