This article examines Durkheim's relationship to realism. I argue that there is enough prima facie evidence of realist commitments in his work our task should be consider what kind Durkheim was. discuss, first all, epistemics and follow analysis with a discussion metaphysical realism texts. The part the paper covers wide range work; second focuses primarily on Elementary Forms Religious Life. I...

Through a close reading of Joe Sacco’s Paying the Land (2020), graphic novel about struggle Dene people in Canada’s Northwestern territories, this article shows how Sacco effects “peripheral realism” that draws systemic continuities different phases colonial modernity into view. The then describes “terrestrial realism,” which combines his peripheral realism with dialectical participation reader...

one of the bases for the development of an iranian theory of international relations is the intellectual and practical traditions found in the course of iran’s history. the ways in which iranians have perceived and understood world politics, however, have not been monolithic and have changed in the course of time due to particular historical circumstances inside iran as well as at the regional ...

In his article, "Analyzing East/West Power Politics in Comparative Cultural Studies," William H. Thornton acknowledges culture as a central force on the geopolitical map and undertakes at once to preserve the strategic potency of political realism and to move beyond the "billiard ball" externality of both neoand traditional realisms. Although Huntington and Fukuyama are taken seriously on the q...

Abstract Who owns The Real in realism, and what difference does gender make? Countering monolithic (and often dismissive) notions of this article recognizes divergent signifiers the real. Its particular concern is war between realisms coded as feminine those masculine—between Frank Norris belittled “the drama a broken teacup” man battling to survive wild. Juxtaposing Jack London’s Klondike fict...

Abstract This article addresses the issue of realism in relationship to contemporary serial fiction. Drawing on The Bureau (Canal+, 2015–2020), it argues that spy TV series are “realistic” not because they correspond reality but their impact reality. It begins by giving an overview many ways which “realism,” ordinary sense a resemblance with reality, served as working framework for ’s team. the...