Citation: Zioga P, Pollick F, Ma M, Chapman P and Stefanov K (2018) “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction. Front. Neurosci. 12:191. doi: 10.3389/fnins.2018.00191 “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and ...

Flock is a full-evening work for saxophone quartet, dancers, audience participation, electronic sound, and video. In this paper, we discuss the project’s design and implementation and evaluate its success with respect to audience surveys from the premiere performances.

You might try to argue that if the instructor is the target audience for your paper then you can omit facts because it is reasonable to assume that the person setting the assignment should be very familiar with all of the facts underlying their own questions. In reality, you are writing to convince the instructor that you have a clear understanding of the complexities of the question and that y...

This research overviews and iterates on a Spectrum of Audience Interactivity, a tool to help designers and artists consider the dimensions and range of audience interactivity characteristics. Previous research has introduced a spectrum of audience participation in live performances based on children’s codesign sessions. We expand on these findings with a review of literature in theater, games, ...

When looking at modern music club settings, especially in the area of electronic music, music is consumed in a unidirectional way on a sound engineering level – from DJ or producer to the audience – with little direct means to influence and participate. In this paper we challenge this phenomenon and aim for a new bond between the audience and the DJ through the creation of an interactive dance ...

In today’s Age of Participation, co-creation, user-generated content and social networking have become part of a mass-appeal digital lifestyle. This paper discusses potential implications for contemporary and future media art in the context of the stage. It reflects on why and how interactive performances could give consideration to this Zeitgeist of empowered spectatorship and, moreover, propo...