This paper aims to scrutinize the identity layers in artworks of Qajar era. Identity art has different and each layer depends on aspects. Era is one culturally productive periods Iran. It also had widespread relations with West matters. Thus several culture can be seen this period. The research tries answer question: what are their priorities found Lithographed Manuscripts religious themes Era?...

this essay tries to use armchair studies and photograph comparing for indicating the influence of political and cultural relations between west and east countries directly and indirectly and the role of iranian king in his territory about iranian photography including the different approaches obtainment between iranian and european photographers about taking photos from iran through the qajar e...

the public bathhouses are included in buildings as public utilities that have been expanded throughout islamic realm by arising islamic religion that cleaning is the preamble for most of its rites. unfortunately, from the beginning of islamic period until 8th hegira century (15th ad century) no stable sample of public bathhouses remained in iran, but many public bathhouses have still remained f...

the remained visual sources of qajar art works can be studied as one of the referable, valid evidence for identifying thewomen's roles and identity during this period. for this purpose‚ the illustrations of the arabian nights manuscript by sani al-molk is considered as one of the references recognizing the womanʼs presence during qajar period. this masterpiece has some exclusive features d...

Khiva has such a resemblance with Iranian art, culture, and civilization and it will not be irrelevant to consider it as a gemstone in the field of culture and civilization of Iran in Transoxiana. This city is located in the Khwarezm. Reviews tell of earlier historical and cultural links of Khwarezm with Iran. Khwarezm name has come in the Achaemenid inscriptions.Khiva is a city with a plethora...