Authorial presence in tragedy, where the poet never speaks his own person and there is no master voice to guide our reception, elusive implicit. Despite tragedy’s polyphony purpose of this study analyze some sample passages from Sophocles’ Electra for textual traces its author’s as a response Aeschylus’ Oresteia. Each part focusing on different aspects self-reflexive poetics.

Research on EFL doctoral thesis writing is booming. The literature indicates a link between and identity formation. Despite the call for scholarly attention writers, writers of theses in English as Foreign language (EFL) settings have not been well represented previous studies. Moreover, although writer has proposed consisting four aspects, most research mainly adopted corpus approach to discus...

Rather than any of her more mature writing, Miles Franklin’s debut romance, My Brilliant Career, has been cemented into the canon Australian literary nationalism. The novel received ambivalent immediate responses upon its publication in 1901 for unflattering representation author’s kin and society. Subsequent criticism soon accepted oeuvre as part dominant male discourse late nineteenth-century...

In this essay we analyse three recent historical novels from Australia that take as their focus figures who transcend normative gender boundaries in some way, either through possible criminal activity and/or sexuality or identity: Hannah Kent’s Burial Rites (2013), about Agnes Magnúsdóttir, the last woman executed Iceland; Sarah Schmidt’s See What I Have Done (2017), infamous Lizzie Borden; and...

The question of minimal sample size is one of the most important issues in stylometry and nontraditional authorship attribution. In the last decade or so, a few studies concerning different aspects of scalability in stylometry have been published (Zhao and Zobel, 2005; Hirst and Feiguina, 2007; Stamatatos, 2008; Koppel et al., 2009; Mikros, 2009; Luyckx and Daelemans, 2011), but the question ha...

Critical geographers" concerned with cartography insist maps are first and foremost social artefacts that must be "read" as authorial documents rather than perceived as data statements. Their argument is typically dismissed as trivial because the relation between intent and output has rarely been demonstrated in a critical way. This article seeks to demonstrate the degree to which authorial int...