نتایج جستجو برای: fiction cinema

تعداد نتایج: 17114  

2015
Fang Lu

3D cinema and 3DTV are at two different levels in the screen size spectrum. When the same stereoscopic-3D content is viewed on a cinema screen and 3DTV screen, it will produce a different 3D impression. As a result, it is difficult to fulfill the requirements of 3DTV with content captured for 3D cinema. Thus, it is important to properly address the issue of 3DTV content creation to avoid possib...

2017
Gertjan Willems

In his article "The Suppression of Satirizing Belgian Community Difficulties in Flemish Cinema and the Film Adaptation of Will-O'-the Wisp" Gertjan Willems analyzes two film projects of Frans Buyens. In 1970, Buyens received a positive funding recommendation for Top-Hit Girl, a satire about community difficulties in Belgium. However, Minister of Culture Frans van Mechelen refused to support the...

Journal: :Artnodes 2023

Throughout this text we will analyze some human concerns that are the subject of analysis in different fields knowledge such as philosophy, art, science and technology. These revolve around what is reality? fiction? effects hallucination? virtuality? through cultural products literature, cinema, psychoactive or entheogenic experiences, up to most recent proposals Virtual Reality their forms int...

Journal: : 2022

The article considers the manifestation of cinematography in V. Nabokov's fiction discourse. analysis peculiarities origin and functioning discourse Nabokov is important for understanding place role cinema author's novel work and, particular, some semantic, ideological plot aspects. based on English-language novels: «Laughter Dark», «Lolita», «Pale Fire» «The Original Laura». also aims to conti...

Journal: :Journal of Documentation 2014
Briony Birdi

Structured Abstract Purpose – The repertory grid technique was adapted to investigate fiction readers' attitudes and beliefs, with a specific focus on minority ethnic fiction. Design/methodology/approach – The study required participants (n=36) to rate on a 7-point Likert scale a series of 16 provided constructs, using 10 main elements, namely the reader of ten fiction genres. Statistical tests...

2015
Mengyan Liu Yuan Qian

This article attempts to construct Woolf’s concept of “modern fiction” in modern context within the two dimensions: fiction’s category and historicity. Firstly, based on the essay “Modern Fiction”, the article aims to construct the connotation of “modern fiction”, which takes “historical consciousness”, “the duration of life”, “man’s subjectivity”, “the complexity of psychological structures” a...

2004
Amy Herzog

Gilles Deleuze, in his two books on film, Cinema 1: The Movement-Image and Cinema 2: The Time-Image, proposes a revolutionary approach to film theory. Drawing on Deleuze's own philosophy of repetition and difference and the work of Henri Bergson, the Cinema books extend these theories to foreground those aspects that are most essential to the medium: that film unfolds in time, and is comprised ...

2013
Katrina Fong Justin B. Mullin Raymond A. Mar

Previous studies have found a positive relationship between exposure to fiction and interpersonal sensitivity. However, it is unclear whether exposure to different genres of fiction may be differentially related to these outcomes for readers. The current study investigated the role of four fiction genres (i.e., Domestic Fiction, Romance, Science-Fiction/Fantasy, and Suspense/Thriller) in the re...

Purpose: The purpose of this study is to identify the textual and paratextual elements in retrieving fiction from the readers’ perspective in order to provide the most appropriate access points for the readers and to improve access to fictions based on the readers’ needs. Method: The current research is an applied study in terms of purpose, applying a mixed method that was conducted using the ...

2009
Matthew J. Graham

In the cinema history of astronomy, we are currently at the stage of the Lumiere brothers with contemporary surveys providing short monochromatic time sequences of the sky. By the end of the next decade, however, panchromatic blockbusters will be commonplace and science will be predominantly driven by the objects that change in successive “frames”. Web-scale computing resources will be required...

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