نتایج جستجو برای: Iranian cinema
تعداد نتایج: 46586 فیلتر نتایج به سال:
This article refers to:Retracted Article: Transformation of Non/Revolutionary Themes in Iranian Cinema: 1980s–2000s
evaluation is one of the important levels of policymaking and scientific evaluation needs the related indicators. So the main goal of this article is compiling indicators for cinema economics in Iran. The used method is applied and analysis of second data. for compiling indicators documentary method is used and all indicators were collected from Iranian and other studies. the result list was se...
Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...
in this article we study the attitudes of iranian cinema audience toward popular films. affected by classic elite cultural theories, popular culture and consumers of popular culture have been humiliated for many years. according to this theories, audience of popular magazines, popular music, popular films and other popular culture products, have been considered as passive victims. cultural stud...
this paper aims to explore the relationship between iranian cinema and iranian society and tries to evaluate the potentials of iranian cinema in depicting the multiplicity of social fact. a functional distribution of films was used in order to describe this multiplicity. the 12 years were divided into three periods: the pre-kahtami era, and the first and second khatami administrations. the film...
cinema industry is one of the main elements of cultural development. development of cinema industry requires the identifying the various social, economic and cultural dimensions. this paper studies the economic characteristics of cinema in iran. in this regard, it is necessary to identify the determinants of demand for movies and their demand elasticities. the computed elasticities have useful ...
Audiovisual translation, the same as other forms of intercultural communication, tends to intervene with the original in order to comply with the norms of the receiving culture. Since the Islamic Revolution of 1979, the Iranian cinema has resorted to a conservative approach wherein the portrayal of the role of women, among other cultural issues, has been controlled to adapt to the Islamic thoug...
sociological analysis of gender relations in films has always been important to sociologists due to monitoring social relations and structures. in this research, the researcher tries to investigate quality of gender relations in iranian films after the revolution. the fundamental question of the research is how gender inequality is represented and constructed in interaction of men and women in ...
نمودار تعداد نتایج جستجو در هر سال
با کلیک روی نمودار نتایج را به سال انتشار فیلتر کنید