Bu makale, Stephen Halliwell’in The Living Handbook of Narratology’de yer alan 2014 tarihli “Diegesis-Mimesis” isimli makalesinin Türkçe çevirisidir. Anlatıbilim alanının anlatmak/göstermek (telling/ showing) olarak karşıladığı diegesis/mimesis terimleri ilk kez Platon’un Devlet’indeki bir pasajda arada kullanılmıştır. Sonrasında Aristoteles, Poetika adlı eserinde kendi bağlamınca yeniden kulla...

the concept of diegesis (telling or recounting a story) originally appeared in plato's thesis as opposed to mimesis (showing or enacting a story). plato described diegesis as the third person style of expressing a fiction mediated by an author/narrator, whereas he proposed mimesis as the first person style of presenting a story by means of characters and actions. aristotle then applied mim...

1960’ların ortalarından itibaren bir disiplin olarak gelişmeye başlayan anlatıbilimin kökleri Platon ve Aristo’nun mimesis diegesis kavramlarına kadar uzanır. En genel tabirle, “taklit” anlamına gelen ile “anlatma” diegesis, anlatıda sözün düşüncenin temsili için zemin işlevi görür. Anlatı terimi günümüzde disiplinler arası çok boyutlu anlam kazanmıştır. Bu çalışma kapsamında ise anlatı “karakt...

Love, Simon (2018) is an American comedy-drama film directed by Greg Berlanti and based on Becky Albertalli's novel vs. the Homo Sapiens Agenda (2015) about email correspondence between another male student from his high school. Digital Simon's voiceovers form backbone of storytelling. Comparing book film, with a particular focus written communication narrator's inner voice, one can observe dif...

The concept of mimesis is not very often used in the contemporary semiotic dialogue. This article introduces several views on this concept, and on the basis of these, mimesis is comprehended as a phenomenon of communication. By highlighting different semantic dimensions of the concept, mimesis is seen as being composed of phases of communication and as such, it is connected with imitation, repr...

This article will examine how a post-realist aesthetics situated within a Baudrillardean realm of simulacra has come to dominate much of contemporary fiction. The excessive consciousness of the “real” as mere artifice leads many serious authors to engage in an ongoing mockery of mimesis. Yellow Dog (Martin Amis, 2003), Fury (Salman Rushdie, 2001), Dorian: An Imitation (Will Self, 2002), and The...

The style of narrative news affects how it is interpreted and received by readers. Two key stylistic characteristics of narrative text are point of view and diegesis: respectively, whether the narrative recounts events personally or impersonally, and whether the narrator is involved in the events of the story. Although central to the interpretation and reception of news, and of narratives more ...