The effectiveness of digital graphic novels (DGN) has never been measured from the perspective of interaction design (IxD) although previous studies regarded DGN as having materiality and multisensoriality characteristics which were crucial for most purposes and territories, especially for students’ learning. Teaching a dry graduate course with most of the traditional methods has been too dull ...

The core features of mobile technology are said to be mobility, interactivity, contextuality, ubiquity, pervasiveness, personalization and collaboration. These features seem to tally surprisingly well with the ideals of constructivist pedagogy. Information and communication technology -enhanced learning in general and mobile learning in particular seem to favour the abductive form of reasoning....

In this commentary we map the recently burgeoning interest of anthropologists in mobilizing visual and multimodal methods to explore issues related aging, care, life course. We demonstrate how within anthropology visuality, multisensoriality various media formats have been used as objects research, epistemological tools and/or a mode recounting ethnographic stories. also highlight current debat...

O presente trabalho tem por objetivo refletir sobre o processo de realização um circuito multissensorial interdisciplinar, desenvolvido a partir dos preceitos da inclusão escolar. Parte-se como proposta metodológica didática multissensorial, que utiliza diversos sentidos do corpo humano para os alunos possam aprender, não se restringindo somente ao caráter visual. tema atividade aplicada confor...

This paper deals with communication processes taking place in the museum, collectively referred to as museum communication, from point of view contemporary linguistics. Based on previous research, is defined a kind interplay multiple communicative practices multimodally organised within and activated museum’s external partners. Linguistics has so far looked at mainly terms language use, includi...

sensory perception and cultural values in the art of pardeh-xaniasghar izadi-jeiran assistant professor, department of anthropology, university of tehranabstract: my anthropological focus is on experience and perception of audience of pardeh-xani affected by sensory anthropology in which culture is defined as the ways of sensing the world. the art of pardeh-xani seeks to create special sensory ...

The sensibilities and varieties of expression gathered under what John Law describes as resources of the baroque do not suggest a method but an orientation to thinking and research that departs from dominant modes of knowing in the social sciences and humanities. This includes concerns with excess, non-coherence, the senses, Otherness, affect, embodiment, movement, and heterogeneity as explored...

The ‘sensory turn’ in anthropology has generated a significant literature on sensory perception and experience. Whilst much of this is critical the compartmentalization particular ‘senses’, there been limited exploration how anthropologists might examine beyond ‘the senses’. Based ethnographic fieldwork with people who have impaired vision walking South Downs landscape England, article develops...

Music may be considered a form of “knotting,” as Ingold (2015, 18) puts it, in which “contrary forces tension and friction are productive generative outcomes.” Interdisciplinary approaches to performative ways knowing have grown exponentially since Blacking's (1973) ethnomusicological research among the Venda late 1950s. Studies sound, sense, performativity flourished multitude strands conteste...