Interactive art is of great relevance to the arts, sciences and technology alike. A common field of interest among researchers of different disciplines, practising artists and art institutes is the interaction between audience and artwork. This paper reviews existing research concerning interaction in interactive art and discusses its applicability for describing and classifying audience-artwor...

For creative experts such as artists, their goal is not just to acquire the skills or techniques of their particular fields. It is also important for them to continue to produce high-quality new and unique works using those skills and techniques. How they become able to do this is a question that needs to be explored. With regard to creating new ideas or concepts, some researchers have suggeste...

In 1878, the Russian physiologist Ivan Tarchanov discovered the fact that psychic states, sensory, affective, emotional, volitional, and even intellectual processes, bring about galvanic deflections. With the use of skin sensors and the electronic recording of bio-data, the emotional journey through the EMDR session could perhaps be used to produce some types of art automatically, without the i...

This paper aims to show the status of digital art in Iran and explain how the meaning of an artist has transformed in the digital age. The primary assumption of this paper is that the experience of digital art has again revived the collective experience in creating arts. Although, interactivity is considered to be the most important quality of digital art, their collective, collaborative and pr...