نتایج جستجو برای: stylistic preference

تعداد نتایج: 68850  

Journal: :research in applied linguistics 2011
mahmood hashemian

aptness, defined as how the vehicle is well able to cover the salient features of the tenor (e.g., oil is like liquid gold vs. a train is like a worm), is claimed to be an important factor in the preference for metaphors over similes, or vice versa. this study was an attempt to test for the supposed correlation between the perceived degree of aptness and a priori stylistic preference for metaph...

Aptness, defined as how the vehicle is well able to cover the salient features of the tenor (e.g., oil is like liquid gold vs. a train is like a worm), is claimed to be an important factor in the preference for metaphors over similes, or vice versa. This study was an attempt to test for the supposed correlation between the perceived degree of aptness and a priori stylistic preference for metaph...

2005
Chrysanne DiMarco Graeme Hirst

A significant part of the meaning of any text lies in the author's style. Different choices of words and syntactic structure convey different nuances in meaning, which must be carried through in any translation if it is to be considered faithful. Up to now, machine translation systems have been unable to do this. Subtleties of style are simply lost to current MT systems. The goal of the present...

1999
ANDY BENNETT

Despite the criticisms of subcultural theory as a framework for the sociological study of the relationship between youth, music, style and identity, the term ‘subculture’ continues to be widely used in such work. It is a central contention of this article that, as with subcultural theory, the concept of ‘subculture’ is unworkable as an objective analytical tool in sociological work on youth, mu...

2006
Andreas Moutsios-Rentzos Adrian Simpson

In this paper we focus on the transition from undergraduate to postgraduate study in mathematics through the lens of the construct ‘thinking style’ as defined by Sternberg (1997). A cross-sectional study (N=54) was conducted in the Department of Mathematics of a large university in Greece. The data analysis reveals some statistically significant (though far from straightforward) stylistic diffe...

2016
Dan McIntyre

Over recent years, the use of corpora in stylistic analysis has grown in popularity. However, questions still remain over the remit of corpus stylistics, its distinction from corpus linguistics generally and its capacity to explain complex stylistic effects. This article argues in favour of an integrated corpus stylistics; that is, an approach to corpus stylistics that integrates it with other ...

2002

Lexica l Syn t ac t i c Se ma n t i c Stylistic Stylistic Stylistic G r a m m a r G r a m m a r G r a m m a r Figure 1 A stylistic grammar. of primitive stylistic elements and rules for combining them. At the central level, we use a single vocabulary of abstract elements, stylistic terms that are maximally expressive. Rules relate these abstract elements to patterns of lexical, syntactic, and s...

1997
Melanie A. Baljko

ness, concreteness, staticness, or dynamism. The other grammar-based approach to assessing stylistic goals was implemented by Ryan et al. (1992). The stylistic goals of this grammar (with settings in brackets) are as follows: emphasis (emphatic, neutral, at); clarity (clear, neutral, obscure); and dynamism (dynamic, neutral, static). In this grammar, the basis for evaluating these goals was sem...

ژورنال: کیمیای هنر 2021

The Iranian carpets, relative to clime and culture of the productive societies, have accepted various visual and technical characters. Scientific and Methodological study of this character and their formative principles is one of the permanent debates among researchers. The main issue of this research is to consider the diversity and individuality of research and analyze methods in carpet studi...

Journal: :Computational Linguistics 1993
Chrysanne Di Marco Graeme Hirst

Lexica l Syn t ac t i c Se ma n t i c Stylistic Stylistic Stylistic G r a m m a r G r a m m a r G r a m m a r Figure 1 A stylistic grammar. of primitive stylistic elements and rules for combining them. At the central level, we use a single vocabulary of abstract elements, stylistic terms that are maximally expressive. Rules relate these abstract elements to patterns of lexical, syntactic, and s...

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