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the current study aims to examine the relationship of socrates with classic tragedy and assess these two cases. the rise of poetic tragedy in the form of dramas of “aeschylus” was accompanied with periods of enhancement of socrates. socrates got familiar with the dramas of aeschylus in his youth in athen. being inspired by the religious content of tragedy based on fate, justice and righteousnes...

an analysis of tragic structure in tragedy and friedrich schiller's view in relation to die jungfrau von orleans the present study is an analysis of the art of tragedy in the original tragedy of the eighteenth-century germany. the reasons for the glory of tragedy among other genres of drama definitely lie in its tragic structure and content. for this reason, die jungfrau von orleans, schil...

since its birth in ancient greece, tragedy as an important dramatic form has always attracted the attention of those who have a tragic sense of life. although many scholars of tragedy put forward a bleak view regarding the possibility for the continuance of tragedy in modern times, two great dramatists, henrik ibsen and anton chekhov, showed that tragedy can still be created in modern times pro...

Voegelin did not publish an extended volume on Greek tragedy. In his writings, there is a brief account of tragedy in The New Science of Politics, and a more extensive chapter on the subject in The World of the Polis.1 [1] In each case, the bulk of Voegelin�s analysis is concerned with Aeschylus, but in neither case is his analysis comprehensive. His comments in New Science amount to a few page...

salah abdul saboor as a pioneer of arabic poetry is one of the greatest contemporary poets of egypt. this paper is about his famous play named ”hallaj’s tragedy”. this play tries to unveil social and political dimensions of hallaj’s life and the age he lived in order to compare it with abdul saboor’s life and age. we can call this play “tragedy of abdul saboor”. abdul saboor in this play discus...