............................................................................................................................. 3 Introduction ....................................................................................................................... 4 Part I: The Language of Film .......................................................................................... 6 Part II: An ...

Let’s remember the idea of the film spectator. The projective systems of artistic creation have always tried a “place” for its spectator. In the cinema furthermore, the exhibit’s own structure proposes the spectator as an indispensable element of the cinematographic act, developing a hegemonic model, in which it occupies a central and essential position. As Müsterberg stated, the cinema works i...

Films which have been exclusively distributed and exhibited outside the traditional conception of the film theatre or cinema have gained very little critical attention within film and media studies. In the case of domestic formats such as VHS this can be partly explained by the fact that, as Barbara Klinger notes, ‘film exhibition via television in the casual setting of the home still appears t...

Paradoxically enough, the impression left on the reader by Georges Sadoul's admirable book on the origins of the cinema is of a reversal, in spite of the author's Marxist views, of the relations between an economic and technical evolution and the imagination of those carrying on the search. The way things happened seems to call for a reversal of the historical order of causality, which goes fro...

William Shakespeare has been part of the cinema since 1899. In the twentieth century almost a thousand films in some way based upon his plays were made, but the vast majority of those which sought to faithfully present his plays to the cinema audience failed at the box office. Since the start of the twenty-first century only one English language film using Shakespeare’s text has made a profit, ...

among the various aspects of cultural consumption, consumption of cinema is one of the most pristine areas of research in the sociology of art. the present study aims to review the status of cinematic taste of citizens. research have been done using survey method, questionnaires and multi-stage cluster sampling method among 410 citizens of mashhad. findings show that average of watching movies ...

Evaluating Communication for Development presents a comprehensive framework for critically thinking about and understanding development, social change, and the evaluation of communication for development (C4D). This framework combines the latest thinking from a number of fields in new ways. The authors critique dominant measurement-oriented and upward accountability approaches to development an...