This paper presents the architecture of a system that retrieves images on the basis of pictorial information as opposed to systems based on textual and numerical retrieval. The pictorial approach is motivated from the observation that the majority of the pictorial information in an image cannot be fully described by textual or numerical information due to its essential limitations in expressive...

A technique that enables specifying complex queries in image databases using pictorial query trees is presented. The leaves of a pictorial query tree correspond to individual pictorial queries that specify which objects should appear in the target images as well as how many occurrences of each object are required. In addition, the minimum required certainty of matching between query-image objec...

This paper introduces a novel framework for generating pictorial storylines for given topics from text and image data on the Internet. Unlike traditional text summarization and timeline generation systems, the proposed framework combines text and image analysis and delivers a storyline containing textual, pictorial, and structural information to provide a sketch of the topic evolution. A key id...

Large, bold marks are painted or incised on the handles or bases of thirty-seven pictorial vases. These same kinds of marks and same patterns of marking are found on non-pictorial Mycenaean pottery. In general, marks on Mycenaean pottery are rare and the circum­ stances of their use are not yet fully understood. It is clear that they are associated with Cyprus, and it is most likely that they a...

The three key ad elements (brand, pictorial, and text) each have unique superiority effects on attention to advertisements, which are on par with many commonly held ideas in marketing practice. This is the main conclusion of an analysis of 1363 print advertisements tested with infrared eye-tracking methodology on more than 3600 consumers. The pictorial is superior in capturing attention, indepe...

Pictorial space is the 3-D impression that one obtains when looking 'into' a 2-D picture. One is aware of 3-D 'opaque' objects. 'Pictorial reliefs' are the surfaces of such pictorial objects in 'pictorial space'. Photographs (or any pictures) do in no way fully specify physical scenes. Rather, any photograph is compatible with an infinite number of possible scenes that may be called 'metameric ...