Speech characteristics of male and female characters in fictional television have received only scant attention in media content research. A content analysis of prime-time television revealed that male characters were more likely to initiate disruptive interruptions than female characters whereas female characters were more likely to use cooperative interruptions than male characters. Such diff...

BACKGROUND Although human beings regularly experience fictional worlds through activities such as reading novels and watching movies, little is known about what mechanisms underlie our implicit knowledge of the distinction between reality and fiction. The first neuroimaging study to address this issue revealed that the mere exposure to contexts involving real entities compared to fictional char...

The present study has a cognitive approach to empathy and character engagement in cinema. In discussing how through empathy and engagement with real and fictional characters, we extend our minds and enhance our cognitive abilities, the present paper studies Bahram Tavakkoli’s Wandering in the Fog (2010), to show how Andy Clark and David Chalmers’s idea of the extended mind as joined with ...

The article focuses on the verbalisation of concept woman in P. Zagrebelnyi’s fictional discourse. artist is analysed, one side, as a linguistic personality with his features psyche, representative language group, and other creative that uniquely represents himself discourse, dimensions communicative behaviour. analysis performed regarding achievements psycholinguistics, gender linguistics, lin...