نتایج جستجو برای: visual art distances itself from mimetic realism and relies upon art form

تعداد نتایج: 17700533  

پایان نامه :0 1375

investigation the archetype of mother can help the reader to understand poes works, especially his fiction, better, if not fully. motivated by internal and external drives to get into the universe in its manifold form poe was impelled to art and, from various modes of art, to symbolism. how much was poe successful to produce works of art has been a matter of dispute among critics. however, ther...

Journal: :هنرهای تجسمی 0
امیر نصری استادیار گروه فلسفه، دانشکده ادبیات و زبانهای خارجی، دانشگاه علامه طباطبایی، تهران مرضیه عالی کارشناس ارشد فلسفه¬ی هنر، ، دانشکده ادبیات و زبانهای خارجی، دانشگاه علامه طباطبایی، تهران

abstract in the second half of the nineteenth century, visual art distances itself from mimetic realism and relies upon art form, or from another perspective, on the abstracted form of concrete and tangible world and thus paves the way for the emergence of modern abstract painting. abstraction in art can be examined critically by various methods and styles. this happens due to the fact that in ...

پایان نامه :وزارت علوم، تحقیقات و فناوری - دانشگاه هنر - دانشکده سینما و تئاتر 1387

since the modern art is chosen to discuss, it means a wide expansion of art courses are affected by modernism that enter to the new realms. because of expanded subject, lack of sources and also the close relationship between painting and animation, this thesis emphasizes on the painting and it is recommended to use the phrase “modern painting” instead of modern art (which is more general). thi...

Wall painting stands among the prominent art media for displaying royal themes in Qajar era. There were many murals in the palaces and buildings of that period now mostly destroyed, however descriptions or pictures of which are available in historical texts to study and observe. The royal (New Year) reception wall painting of Fath Ali Shah in Negarestan palace and that of Naser ad-Din Shah in N...

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums of the globe. zagros mountains, lorestan province locating at the heart of that, are not only the same, but are more prominent than other iranian regions. you can not find someone who does not know what the lorestani bronzes are, and there is no museum that not be pride of having a piece of that. the said bronzes which are manufactured four millenniums b.c. are admired nearly by all those researchers because of their beauty, diversity and technique. lorestani artistic works including stone engraves, bronzes and clays, show an ideal and metaphysical world beside real world which explain mental system of human beings on that era against sensations and phenomena happening around them. men main mental occupation on that time was he unknown world which had surrounded them, and they used to use the religion to fight life’s natural factors, and art was a tool of religious and mythical painting which was far from reality and had entered into the abstract domain. as natural objects have become subjects of lorestani art, it cleanses them from any non – intrinsic limitations and external factors which surround them and darken their meanings, and just shows their main specifications. artist in the said civilization is not searching for realism. although these are few works showing the nature, but in effect there is no wish to imitate touchable factors of the nature, and artist has turned real phenomena to encoded signs as per his own mentality. this procedure is called stylization.

پایان نامه :دانشگاه آزاد اسلامی - دانشگاه آزاد اسلامی واحد تهران مرکزی - دانشکده هنر و معماری 1391

it is not possible to understand developments of a country’s culture and civilization without knowing his believes and myths. whether it is north or south, east or west, planes or mountains, sahara or deserts, here in iran every corner includes valuable and precious treasures which are known all over the world, and cultural – historical objects which are found here adorn all well known museums...

Journal: :هنرهای تجسمی 0
ویدا فرهمند کارشناس ارشد پژوهش هنر، پردیس هنرهای زیبا، دانشگاه تهران سعید حقیر استادیار دانشکده معماری، پردیس هنرهای زیبا، دانشگاه تهران

in the modern era and through abstraction, art turns to a path in which the beginning and end of an artwork get closer together than in any other era in an attempt to make the minimum space between the subject and the object, or the work and viewer so that the work is created while receiving the minimum influence from the external world and maximum closeness to the very essence of abstraction a...

دانشپور, سید عبدالهادی , درستی, فاطمه , غفاری آذر, زهرا ,

If one looks with the eye of discernment upon the extremely varied manifestations of Islamic art over vast expanses of space and time, the question arises as to the source of the unifying principles of this art. What is the origin of this art and the nature of this unifying principle whose dazzling effect can hardly be denied? The question of the origin of Islamic art and the nature of the forc...

Journal: :دراسات الادب المعاصر 0
علی صابری

play is an ancient literary form in the history of human art which has undergone different developments. different ears during which this human art has developed could be classified as: greek, roman, middle ages, classic era, romantic era and realism era. play appeared with preliminary dances and music in religious ceremonies and has developed into modern plays and movies after all the mentione...

Journal: :کیمیای هنر 0
سید غلامرضا اسلامی seyed gholamreza islami associate professor, faculty of architecture. university college of fine arts. university of tehran پویا رفوئی rofouei pouya post-graduate student of ‘supreme art studies’. university college of fine arts. university of tehran

if we accept this idea that in talking about art, there is a chasm between thought and unthought debating on art theory in the sociohistorical context of after revolutionary iran requires at least two items in which understanding and creating art meet one another: 1) art as door separates intelligible from sensible, rational from irrational, and logos from pathos as well and 2) art as bridge no...

Journal: کیمیای هنر 2014

If we accept this idea that in talking about art, there is a chasm between thought and unthought debating on art theory in the sociohistorical context of after revolutionary Iran requires at least two items in which understanding and creating art meet one another: 1) Art as door separates intelligible from sensible, rational from irrational, and logos from pathos as well and 2) Art as brid...

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