Global Commodity Chains and Local Use-Value:William Colenso, natural history collecting Indigenous labour Megan Kuster On 20 January 1842, the joint botanical-missionary expedition led by Church Missionary Society printer William Colenso (1811–99) was making its way on foot from hill of Te Wairere to pa Tapiri, through interior New Zealand's North Island. The travelling party still regrouping f...

The historical route of Bandar Abbas to Lar is a complex consisting of components and elements that has been working in an integrated and interconnected manner. Investigating this route and associated buildings (caravanserais, water reservoirs, etc.) from the historical periods of Safavid and Qajar to the present time, as well as studying various travelogues in this field, shows the importance...

The historical route of Bandar Abbas to Lar is a complex consisting of components and elements that has been working in an integrated and interconnected manner. Investigating this route and associated buildings (caravanserais, water reservoirs, etc.) from the historical periods of Safavid and Qajar to the present time, as well as studying various travelogues in this field, shows the importance...

Graham Serjeant’s remarkable memoir of his distinguished career studying and taking care sickle cell disease patients in Jamaica is a very unusual combination: recounting half-century progress understanding treating this also fascinating travelogue. Serjeant begins the tale professional with journeys, first as London medical student east Africa then choice Jamaica’s programme 1966 for major pos...

This paper explores how a form of visuality, the picturesque became the essential framework for the emergence of a theme park on the landed estates of the Anglo-Irish landlords in the eighteenth and nineteenth centuries. The initial cultural forms of the picturesque, which evolved from the disciplines of landscape painting and the philosophy of aesthetics, later became the design principles tha...

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The essay explores the significance of questions of knowledge to the depiction of prisoners in three prominent katorga narratives from the second half of the nineteenth century: Dostoevskii’s Notes from the House of the Dead, Kennan’s Siberia and the Exile System, and Chekhov’s Sakhalin Island. Comparing the different discourses of unknowability these authors employ, it argues that the relation...