It is historically known that many dramatists were sort of adaptors. Playwrights have often used myths, poems, historical events or even earlier stories as their source material but with literary verbatim theatre (the most text-based all subcategories), the audience deals facts found in original words a real figure who wrote privately and not for publication. Consequently, some accused growing ...

This article presents the results of a study involving translation short story by Kurt Vonnegut from English to Catalan and Dutch using three modalities: machine-translation (MT), post-editing (PE) without aid (HT). Our aim is explore creativity, understood involve novelty acceptability, quantitative perspective. The show that HT has highest creativity score, followed PE, lastly, MT, this unani...

Once we accept that there is something called creativity we are led to wonder how are the creative people and what are the creative acts. This wonderment compels us to understand the underlying cognitive process in a creative act and the hardware requirements for this process to go on. We then arrive at a position for seeking an implementable model of and the paradoxicalness involved therein. T...

The subject of this paper are historical stories Stevan Sremac. Their artistic value lags behind the his realistic prose. Bearing in mind style writer's narratives, it is concluded that primary motive writing was "national-educational action" and not literary creativity. Following trail legends traditions, author neglected facts, which resulted inconclusiveness. Sremac tried to balance facts wi...

The paper focuses on the question whether institution of collective work could be used as an inspiration in order to regulate legal situation computer-generated works. Technological progress makes creation art by artificial intelligence with only minimal human participation increasingly popular phenomenon. For this reason, world literature more and often discusses how legally qualify algorithmi...