In Indian classical music, ragas constitute specific combinations of tonic intervals potentially capable of evoking distinct emotions. A raga composition is typically presented in two modes, namely, alaap and gat. Alaap is the note by note delineation of a raga bound by a slow tempo, but not bound by a rhythmic cycle. Gat on the other hand is rendered at a faster tempo and follows a rhythmic cy...

the post-revolutionary period, however, was of a different type both in terms of the collapse of the old world order and in terms of the change of desires and aspirations of human being sat the local and this paper seeks a semantic explanation of the resistance music in iran and attempts to analyze the general structural specificities surrounding resistance music in iran. the methodological con...

patients and methods this blinded clinical trial was performed on 60 patients admitted to icu following cabg. patients intubated and those under mechanical ventilation were unable to report their pain. the study population was randomly divided into two groups of control and music intervention groups (preferred music listening). in the intervention group, preferred music (including classical, in...

In the context of multimedia content, a modality can be de€ned as a type of data item such as text, images, music, and videos. Up to now, only limited research has been conducted on cross-modal retrieval of suitable music for a speci€ed video or vice versa. Moreover, much of the existing research relies on metadata such as keywords, tags, or associated description that must be individually prod...

the focus of this article is on music in ghaznavid (977 – 1186 ad) period. in addition to turkish culture, it was influenced by persian and arabic cultures. the aim of this research is to recognize the music of historical dynasty in middle iranian history (after the dominance of islam until modern times). this government is divided into three historical periods; in every period, the geographica...

Pulse is often understood as a feature of a (quasi-) isochronous event sequence that is picked up by an entrained subject. However, entrainment does not only occur between quasi-periodic rhythms. This paper demonstrates the expression of pulse by subjects listening to non-periodic musical stimuli and investigates the processes behind this behaviour. The stimuli are extracts from the introductor...