one of the most important tekyes in iran and one of the most important islamic buildings in kermanshah province is the mo’aven-ol molk tekyeh. this building is located in historical context (barzeh damagh district) and related to the late qajar period. based on the present situation, the space of this tekye has been formed of four parts: courtyard entrance, hoseiniyeh, zainabiyeh and abbasiyeh....

A series of enigmatic ninthor tenth-century wall paintings from Nishapur in eastern Iran seems to have been imbued with amuletic, apotropaic, or talismanic properties. Recapitulating while exaggerating some of the properties of marble, the paintings also include anthropomorphic and vegetal imagery. Their idiosyncratic iconography seems to highlight a tension between physis and technē that may b...

Meanings of religious and nonreligious spirituality are explored, with implications for death acceptance, death rejection, and life extension. In the first of two exploratory studies, 16 elders low on intrinsic religiosity were compared with 116 elders high in religiosity; they differed both in qualitative responses and on death attitudes. In the second, 48 elders were assessed on religious and...

Since the Sassanid era, many reliefs and seals have left and by reviewing their designs, the mythical and religious attitudes of those people can be understood. The purpose of this article is to decode and interpret the symbolic paintings and to review and study the myths, concepts, and religious rituals of this period. The question is that what the divine and human origin of the symbolic paint...

Indeterminate art invokes a perceptual dilemma in which apparently detailed and vivid images resist identification. We used event-related fMRI to study visual perception of representational, indeterminate and abstract paintings. We hypothesized increased activation along a gradient of posterior-to-anterior ventral visual areas with increased object resolution, and postulated that object resolut...

this paper is an attempt to explain the form and components of iranian female painters artworks in the 70s and80s hijri. it seeks to assess women’s paintings of two decades ago in comparison with current iranian artworks. undoubtedly, the growth in the number of those who produce artworks motivates the researcher to study women’s produced paintings to identify iran’s current art field. to achie...