نتایج جستجو برای: part narrative structure
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short story as an important literary genre in the recent decade is focused by many of young writers and literary critical with searching structure, content , artistic techniques and cognitive phenomenon of these works , we can show quantity of using some parts of storied literature from new literal techniques of the word and also we can show the usage of native, cultural and social foundation...
narrative structure in iranian lullabies y. jalali pandary* s. pakzamir** yazd university iranian lallayi part of folk songs and ancient iranian and lasting roots in the distant past is. warbler on our first lallayi unknown. but simply language and applied them being among people of different courses one of the secrets of staying in this beautiful verses. lallayi addition to t...
abstract: the present thesis includes ; one preface and 11speeches , that each speech considered in different researches . the prefact part , studied grammer back ground , the first speech considered a brief description about grammatical credits . the second speech considered the different typs of sentences , from structure and meaning points of view . the third speech considered the verb es...
feminine voice and narratology in wuthering heights wuthering heights as a general "bronte" work has extraordinary dimensions to it which can make it focal to different ways of interpretation. among other differences the issue of narrative voice is essential in understanding the ultimate purpose of wuthering heights. emily bronte uses different narrators from various focal points speaking of m...
Most popular models of narratives and narrative analyses have been drawn on native stories, yet EFL learners’ narratives have not received due narrative analysis. The present study then aims at scrutinizing the structure of personal English stories as told by EFL learners. To this aim, three hundred narratives were collected through classroom discussions and interviews. Qualitative analysis met...
the purpose of this article is to show the creation of sense and the relation between reflection and narrative function in the novel “stranger” by albert camus. while studying the structure of this narration, we try to surpass the surface and penetrate the deepest layers of the text, in order to find, not only the meaningful surface structures but also the ones beyond the text. as a reason, we ...
this work is presented in five parts. in the first part preparation of the starting complex [pt(c^n)cl(dmso)], 1, in which c^n = n(1),c(2?)-chelated, deprotonated 2-phenylpyridine, and dmso = dimethylsulfoxide, and its reaction with 1 equiv of the biphosphine ligands bis(diphenylphosphino)amine, dppa, or bis(diphenylphosphino)methane, dppm, to give the complex [pt(c^n)cl(dppa)], 2, or [pt(c^n)c...
this article is an attempt to explore the subject of divorcee in narrative and visual content of iranian cinema. therefore, by applying constructionist approach in representation theory of stuart hall as the main theoretical framework and using roland barthes’ structural analysis of narrative and john fiske’s semiotic analysis in three levels of reality codes, representation and ideology, ester...
The understanding and summarization of stories remains a challenge, in part because of the inability to adequately capture the ‘aboutness’ of information content. This can result in inappropriate content selection as well as summary incoherence. This talk sketches a general framework for narrative summarization that relies in part on explo itation of temporal information. I will show how this f...
in a structural analysis, the “rebellion & decline” theme creates a narrative structure in which eleven stories of shāhnāmeh – equal to 3.18 per cent of the whole epic – are included, which makes it the tenth largest sequence of the shāhnāmeh. this narrative structure (sequence) consists of initial tranquillity, the king’s rebellion, his decline, and ultimate tranquillity. the epical theme of r...
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